Transportraits, a series of 20 x 24 inch portraits of transgendered
men, is an exploration of identity and representation.
Photographed against oil-painted backdrops that I create using the
landscape painting instructions from Bob Ross', The Joy of Painting,
each subject is photographed to evoke a 'classic' portrait, recalling
both renaissance portraiture and popular photography.
I am interested in addressing the implications of a photographic
portrait and the parallels of representation in photography as a
medium, and in the gendering of a person. Photography is a
subjective medium often mistaken as objective; misunderstood as
portraying truth, evidence. Photographers are thought of as
capturing a replica of the original subject, as well as its essence. I
would like to confront this idea by drawing a comparison between
photographic portraiture and the perception of gender as an
unchanging truth.
A gender on a body, an image on paper, oil on canvas. Representing
a male, representing a portrait, representing a painting.